chymical mycelia

Following from Part One, I take a closer look at the female director Coralie Fargeat and discuss what was not fully addressed in my film analysis "The Substance", highlighting the importance of using depth psychology on one's own artistic material for self-knowledge.

Working towards the evolution of womanhood and the psychological stage of nurturing the divine child in the unconscious, where the emergence of a new self can manifest and move human consciousness and embodiment forward into the new age.

The depth and richness in the meaning of dreams can continue to unfold for months, often years later. I return to a pivotal dream of mine, which sparked chymical mycelia to begin with, uncovering another layer with amplification.

Gold medalist Alysa Liu's captivating performance at the Olympic Games reveals a tangible insight into archetypal forces, as it offers a physicality to experience that is difficult to encapsulate. Namely, the potential power of the human spirit as the divine child and Overman being synonymous with the Aquarian age.

This is a supplementary audio-only conversation with Axel, in relation to The Substance analysis.

More than a feminist horror saga and beyond a mere Faustian bargain. The unconscious further reveals nuggets throughout the film, offering a deeper narrative from the female psyche.

We talk dreams, creativity and Eraserhead (1977) on Living Symbols podcast.

Unearthing the hidden narrative of this timeless classic with a fresh lens. The symbols are magnified and given new life, revealing the language of the unconscious using depth psychology.